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Richard Avedon characterized his improvised approach to fashion photography as “a vacation from life.” Dovima with Elephants originally appeared in a 14-page story on Paris fashions published in the September 1955 issue of Harper’s . "Iconic Avedon: A Centennial Celebration of Richard Avedon" is currently on view at Gagosian, Paris. Richard Avedon, Dovima with elephants, evening dress by Dior, Cirque .In 1944, Avedon began working as an advertising photographer for a department store, but was quickly endorsed by Alexey Brodovitch, who was art director for the world-renowned American fashion magazine Harper's Bazaar. Lillian Bassman also promoted Avedon's career at Harper's. In 1945, his photographs began appearing in Junior Bazaar and, a year later, in Harper's .The massive breakthrough in Richard Avedon's career came in 1948 when, in the wake of Dior’s New Look, he accompanied Carmel Snow to Paris in order to photograph the couturier's .
Somehow, the name Richard Avedon always rings a bell. He's known equally for his eerie portrait of the bee-covered man, and the iconic fashion photo of supermodel Dovima with . In this dazzling show, Dovima (the diva) has the dress from Dior that would make Cinderella shudder. Moreover, the best part is yet to come! Surrounding her are Trilby and Suzie, the most fashionable elephants ever .
Richard Avedon’s iconic photograph, Dovima and the Elephants, is surrounded by an array of captivating prints, past and present.Specialist Christopher Mahoney in conversation with author Philip Gefter—on how Richard Avedon redefined photography and, in the process, became one of the most important artists .
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An audience at a Dior fashion show in Paris. L-r: Marie Louise Bousquet, Paris Editor of Harper's Bazaar, US photographer Richard Avedon, and Carmel Snow, Editor in . In honor of Gagosian’s authoritative “Avedon 100” exhibition in New York—and the legendary photographer’s centennial today—we’ve gathered 11 Richard Avedon images from the show .Richard Avedon characterized his improvised approach to fashion photography as “a vacation from life.” Dovima with Elephants originally appeared in a 14-page story on Paris fashions published in the September 1955 issue of Harper’s Bazaar (where Avedon was staff photographer from 1946 to 1965). "Iconic Avedon: A Centennial Celebration of Richard Avedon" is currently on view at Gagosian, Paris. Richard Avedon, Dovima with elephants, evening dress by Dior, Cirque d'Hiver, Paris, August .
Featuring director Andre Gregory, photographer Vincent Vallarino and model/actress Kelly Le Brock, the color photographs purported to show the wild antics of a fictional "Dior family" living ménage à trois while wearing elegant fashions. The massive breakthrough in Richard Avedon's career came in 1948 when, in the wake of Dior’s New Look, he accompanied Carmel Snow to Paris in order to photograph the couturier's second show. And, with the youthful confidence that really doesn’t acknowledge failure, he broke away from the decades-old traditional way of photographing fashion. Somehow, the name Richard Avedon always rings a bell. He's known equally for his eerie portrait of the bee-covered man, and the iconic fashion photo of supermodel Dovima with elephants. In this dazzling show, Dovima (the diva) has the dress from Dior that would make Cinderella shudder. Moreover, the best part is yet to come! Surrounding her are Trilby and Suzie, the most fashionable elephants ever shot for runway.
Richard Avedon’s iconic photograph, Dovima and the Elephants, is surrounded by an array of captivating prints, past and present.
Specialist Christopher Mahoney in conversation with author Philip Gefter—on how Richard Avedon redefined photography and, in the process, became one of the most important artists of the twentieth century. Avedon with Carmel Snow and Marie-Louise Bousquet, Dior Showroom, ca 1946. Credit: Henri Cartier-Bresson/Magnum Photos.
An audience at a Dior fashion show in Paris. L-r: Marie Louise Bousquet, Paris Editor of Harper's Bazaar, US photographer Richard Avedon, and Carmel Snow, Editor in Chief of Harper's Bazaar.1955 © John Chillingworth. In honor of Gagosian’s authoritative “Avedon 100” exhibition in New York—and the legendary photographer’s centennial today—we’ve gathered 11 Richard Avedon images from the show .Richard Avedon characterized his improvised approach to fashion photography as “a vacation from life.” Dovima with Elephants originally appeared in a 14-page story on Paris fashions published in the September 1955 issue of Harper’s Bazaar (where Avedon was staff photographer from 1946 to 1965). "Iconic Avedon: A Centennial Celebration of Richard Avedon" is currently on view at Gagosian, Paris. Richard Avedon, Dovima with elephants, evening dress by Dior, Cirque d'Hiver, Paris, August .
Featuring director Andre Gregory, photographer Vincent Vallarino and model/actress Kelly Le Brock, the color photographs purported to show the wild antics of a fictional "Dior family" living ménage à trois while wearing elegant fashions.
The massive breakthrough in Richard Avedon's career came in 1948 when, in the wake of Dior’s New Look, he accompanied Carmel Snow to Paris in order to photograph the couturier's second show. And, with the youthful confidence that really doesn’t acknowledge failure, he broke away from the decades-old traditional way of photographing fashion. Somehow, the name Richard Avedon always rings a bell. He's known equally for his eerie portrait of the bee-covered man, and the iconic fashion photo of supermodel Dovima with elephants. In this dazzling show, Dovima (the diva) has the dress from Dior that would make Cinderella shudder. Moreover, the best part is yet to come! Surrounding her are Trilby and Suzie, the most fashionable elephants ever shot for runway.
Richard Avedon’s iconic photograph, Dovima and the Elephants, is surrounded by an array of captivating prints, past and present.
Specialist Christopher Mahoney in conversation with author Philip Gefter—on how Richard Avedon redefined photography and, in the process, became one of the most important artists of the twentieth century. Avedon with Carmel Snow and Marie-Louise Bousquet, Dior Showroom, ca 1946. Credit: Henri Cartier-Bresson/Magnum Photos. An audience at a Dior fashion show in Paris. L-r: Marie Louise Bousquet, Paris Editor of Harper's Bazaar, US photographer Richard Avedon, and Carmel Snow, Editor in Chief of Harper's Bazaar.1955 © John Chillingworth.
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